One of Italy's best known and most influential newspapers is La Stampa, published since 1867 and still going strong. The paper launched its own website in 1999 and they have since made their historical archives available - free of charge. So everyone with an inclination to do so can browse through scanned versions of old La Stampa issues dating all the way back to the beginning in 1867. So if you're interested in finding old pictures and articles about Italian actors, this is a nice place to start. Of course, La Stampa is a serious newspaper and primarily deals with "real" news, but there's usually a page or two dedicated to entertainment news, and in this section you can find pictures and interesting info about popular actors. The articles are usually not too long, though. In fact, there's often just a picture of an actress and a brief notice that she is currently starring in this or that film. These notices are nevertheless of great interest because they frequently announce films under different titles than the ones they were eventually released under, and also because they sometimes mention films which were apparently never finished or released. And it's also great because of the wonderful pictures. So if you have a lot of free time on your hands, you can have fun browsing through thousands upon thousands of pages of old La Stampa issues. And if you don't have the patience, you can find some pretty cool clippings of sexy Euro actress from 1971-73 issues right here:
"An orchid for Edwige" reads the headline for this notice from March 1972. The text informs us that Edwige Fenech is shooting the film Una strana orchidea - i.e. A Strange Orchid - togeher with Paola Quattrini and Annabella Incontrera. The title of this film would later be changed to Perché quelle strane gocce di sangue sul corpo di Jennifer? and it was released in English as The Case of the Bloody Iris. It is strange to see that this earlier title makes reference to an orchid instead of an iris but it's possible that the flower was changed in order to avoid confusion with Umberto Lenzi's giallo Seven Blood-Stained Orchids, which was made around the same time.
This great picture of the lovely Evelyn Stewart was published in May 1972. According to the text, Evelyn is relaxing in her Roman home after shooting the thriller Uccidi tre volte - meaning Kill Three Times in English - which is close to being finished. No film by that title was ever released but Evelyn was appearing a lot of gialli around that time, so I am assuming that Uccidi tre volte was the shooting title for one of them.
This notice from August 1971 features the gorgeous Barbara Bouchet in a scene from a film titled Dove fa male? which translates to Where Does it Hurt? in English. I recognize the scene, however, and it is from the great giallo La tarantola dal ventre nero, a.k.a. The Black Belly of the Tarantula, which is a far more intriguing title.
Barbara Bouchet also features in this clipping from January 1973, which bears the headline "Accused of corruption". According to the text, she was accused of corrupting of a minor because of the infamous scene in Lucio Fulci's Don't Torture a Duckling, in which a buck naked Barbara attempts to seduce an adolescent boy. Apparently, Barbara had to go before a tribunal, where she defended herself by saying that an adult man of very small stature was used for the scene. And I believe she was telling the truth. If you look at the scene you'll notice that the only time the boy is in the same shot as the naked Barbara is when he's seen from behind, so it does indeed appear as though he was doubled by a dwarf. I'm sure it was a very enjoyable day's work for the double!
According to the text, this photo published in May 1972 shows the beautiful actress Erika Blanc on holiday in Fregene but it's quite obviously a publicity shot, and a lovely one at that.
This notice from August 1971 announces that the beautiful Swedish actress Ewa Aulin is starring in the film La controfigura, released in English as The Double.
Ewa Aulin is also the subject of this notice from April 1972, which announces that she is playing the leading role in a giallo named Un uomo da uccidere (A Man to Kill if translated to English), directed by a certain Sala. Unfortunately, no such film appears to have been made. The director Sala is presumably either Vittorio Sala or Adimaro Sala but Ewa Aulin never made any films for any of them, so it appears that Un uomo da uccidere is an unmade or unfinished production.
We're still not quite done with Ewa Aulin, though. This clipping from April 1973 - marked as Eva vs. Ewa - features the sexy Eva Czemerys, and the text announces that she and Ewa Aulin are playing rivals in a romantic film with Mino Reitano. Although no title is mentioned, the film in question is Ferdinando Baldi's Una vita lunga un giorno, known in English as Long Lasting Days.
Up next is a notice from February 1972 featuring the irresistable Rosalba Neri. The brief text tells us that Rosalba is a young actress who loves thrillers, and that she is appearing in the giallo Il sorriso della jena. The title translates to The Smile of the Hyena but the film was released in English as Smile Before Death.
Striking, blonde German actress Solvi Stubing is the focus of this clipping from February 1972. According to the text, Solvi is in Bermuda to shoot a film labelled as a 'giallo-rosa', a termed used for describing crime films with a strong romantic content.
Swedish-born giallo queen Anita Strindberg strikes a pose in this picture published in May 1971. The short text informs us that this is Anita with a new bikini. Not what I'd call news worthy but a definitely a terrific excuse to print a revealing picture of the statuesque, blonde actress.
Here's another wonderful shot of Anita Strindberg - published in July 1972. It shows the actress on a beach in picturesque San Felice Circeo, where she is shooting a 'giallo-rosa'.
"A western for everyone" reads the headline to this notice from July 1972, featuring the stunning Marisa Mell in a scene from an Italian western. I'm not really into westerns so I'm not sure which film the picture is taken from but I'm assuming it's from Tutti fratelli nel west... per parte di padre, a.k.a. Lady Dynamite.
Here is a lovely shot of British actress Shirley Corrigan, printed in July 1972, and promoting her appearance in Sergio Pastore's giallo Sette scialli di seta gialla, which was released in English as The Crimes of the Black Cat.
A striking headshot of beautiful giallo regular Marina Malfatti (published in June 1972) announcing her participation in the giallo La dama rossa uccide 7 volte. The title translates to The Red Queen Kills Seven Times in English, and while it is often referred to by this title, the original English export title is actually The Lady in Red Kills Seven Times.
This clipping from June 1971 features an interesting photo of the gorgeous American actress Pamela Tiffin. According to the text, the picture shows Pamela in a scene from Luigi Bazzoni's film La giornata dell'Ariete - i.e. The Day of the Aries - which was released two months later under the slightly modified title Giornata nera per l'Ariete (i.e. Black Day for the Aries) and in English-speaking territories as The Fifth Cord. But, clearly, this is not an actual scene from the film but rather an on-set photo showing Pamela getting her hair fixed before shooting a scene.
This terrific photo of American actress Camille Keaton was published in November 1972. The text stresses Camille's relation to the legendary American comedian Buster Keaton, and announces that she is shooting the film Il gatto di Brooklyn, i.e. The Cat of Brooklyn.
Here we have a really nice picture of the wonderful Italian actress Anna Maria Pierangeli, known during her Hollywood years simply as Pier Angeli. "It's not too late" reads the headline of this notice from May 1971, which tells us that the actress - at age 38 - is about to embark on a new acting career. After being neglected and given poor roles in Italy, Anna Maria has received interesting offers from Hollywood, the text reveals. Knowing what was in store for Anna Maria undeniably makes it rather sad to read a notice that is so optimistic about her future. She did indeed land a role in a new American production but it was in Octaman, a terrible piece of low budget schlock, and Anna Maria died of a barbiturate overdose in September 1971 - less than four months after the publication of this notice.
Here's a smashing picture of the ravishing Yugoslavian actress Beba Loncar, a big European star throughout the 1960s and 70s. This notice from January 1973, announces that Beba is in Naples shooting a giallo with Hollywood actor Richard Widmark. The title of the film is not mentioned but it is said to take place in the slums of the port of Naples. Beba had appeared alongside Richard Widmark ten years earlier in the British adventure film The Long Ships (1963) but I have been unable to find any information about a film from 1973 featuring the two of them. Presumably, the project never got off the ground, or it was never finished.
This notice from June 1971 announces that American actress Jean Seberg, who was working exclusively in Europe during the 1970s, is starring alongside James Mason and Curd Jürgens in the film La piovra dai 7 tentacoli, which translates to The Octopus with Seven Tentacles. Ultimately, the film was released under the much more simplistic title Kill.
Beautiful British actress Rosemarie Dexter is the focus of this notice from June 1972. According to the text, Rosemarie is back in Rome after the shooting of her third western in Spain.
Up next is this terrific shot of Austrian actress Senta Berger. Published in April 1973, this notice announces Senta's participation in the comedy Amore e ginnastica, known in English as Love and Gymnastics.
Sexy Cuban spitfire Chelo Alonso was one of the greatest female stars of Italian peplum and swashbuckler movies during the late 1950s and early 1960s but when the popularity of such films started to wane, Chelo more or less disappeared from films. Her final film appearance was a supporting role in the western Night of the Serpent in 1969, but although she abandoned films, she did not withdraw from public life. In fact, Chelo turned her attention to television, and this notice from June 1972 - which shows that the Cuban actress was still spectacularly sexy - announces her new music show E perche no?, which she hosted, and also featured in song and dance numbers.
Blonde, beatiful German starlet Karin Schubert strikes a sexy pose in this clipping from August 1972, which show Karin in a shot from a film called Le bellissime donzelle - i.e. The Beautiful Damsels. I can't find any film by that title, so this is yet another case of a film that changed titles. My guess is that this film eventually became Quel gran pezzo della Ubalda tutta nuda e tutta calda, a.k.a. Ubalda, All Naked and Warm, which I haven't seen.
This notice from February 1972 features the very sexy Rita Calderoni, who according to the text has signed on to star in the film La reincarnazione. This film - directed by Renato Polselli - was released nearly a year later under the delirious title Riti, magie nere e segrete orge nel trecento, translating to Rites, Black Magic and Secret Orgies in the 14th Century, and is known in English as both The Reincarnation of Isabel and Black Magic Rites.
This fantastic shot of the very attractive Paola Tedesco was published in April 1972, and the text informs us that the actress is in Morocco making a film about the mafia. Paola did make a mafia picture in 1972, Alberto De Martino's Crime Boss, in which she starred alongside Telly Savalas and Antonio Sabatò. However, this film was neither shot or set in Morocco.
Texas-born Penny Brown was a very successful singer and musical theater actress in Italy in the 1960s and 70s but she also did occasional acting in films - most notably as a hippie in Lucio Fulci's giallo A Lizard in a Woman's Skin (1971). This notice from January 1973 announces Penny as a cast member in the film Tecnicamente dolce (translation: Technically Sweet), directed by the renowned Michelangelo Antonioni. Unfortunately for Penny, Tecnicamente dolce would never be made. Antonioni had written the screenplay in the 1960s and the film was to be shot in Sardinia, Rome, New York and in the Amazonian jungle, with Jack Nicholson and Maria Schneider as the stars. But just as all the preparation for the film was ready, producer Dino De Laurentiis pulled the funding because he feared the production would become too expensive. Instead, Antonioni was offered to direct The Passenger (1975) with the same lead actors, and Tecnicamente dolce was never made. The screenplay, however, was published in 1976.